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Marshall explores the mind in her paintings with ‘mirror’ works, reminders with words on canvas, inscapes that escape from a Nazi ammunition factory to immersive landscapes. Paintings of the mind as a universe using stencils depicting the locations like hair snow and toilet paper in St. Moritz and a blindfolded series of drawings and paintings of sexual intercourse, relying on the mind to guide the hand.
All the work relates to her individual film installations.
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